Italia Blog

images from xMas.

December 25th, 2009 by L A W R E N

reflections at Christmas.

December 25th, 2009 by Steve

On the plane to D.C., Christmas Day 2009, we see the blue split of the Seine on the viewing screen above. There is that steady backward drag of cruising altitude which draws the spine into the seat. We are on our way home.

As it turned out, we spent Christmas Eve, 2009 in the hotel airport, bumped from our flight; three days of bad weather in Europe leading up to our departure, trains were snarled and stranded, a monstrous backup, and we found ourselves among the thousands missing the celebrations.

Poor AirFrance lady was scared of me at first. I didn’t respond well to the news that our seats had been lost. Wasn’t a total freak out – I just started to speak, quite upset, “We can’t fly today? Really? Well… that’s… just…” and I kind of stalked off to a spot ten feet distant. Maybe she had me pegged for a heavier type than I turned out to be, once I’d counted to ten.

Obviously you can’t take this out on an employee. Poor thing, she’s been looking into her share of pissed-off faces.

We take the shuttle to our humble digs just outside the mechanized warren of the vast Charles DeGaulle Airport, an ecosystem of metal, glass, and wire, and featuring every species of vehicle in all stages of mutation. The world looks cloudy and spoiled, petroleum-stained and grey as sorrow this wet north-winter day.

Everyone’s at least vaguely depressed, from the shuttle driver to the passengers to the hotel staff. No one should be here. There’s a room inside a memory that calls, someplace fire-lit and warm against the cold. This is where we should be, in innocence and expectation.

Instead we are holding vouchers and carry-on bags, two hours to kill before dinner and the bar closed. The room is small and touched with mold at the corners, clean enough but meant for quick passing. What would it be like to live out your life in this room, I wonder?

As a kid, I would stare into the display environments of furniture stores, those three-walled rooms where the bottle of wine on the counter is always empty, the books too, and the TV/VCR is a hollow rectangular box of molded plastic. So welcomingly sterile they seemed. You could curl up in this false space somehow, make it your home by filling it with your warm body, your life function. You could make it your bed. Who would feed you, tell you where to work, collect the money- where would you do your business? Clearly this false space could never accommodate animal me, but I would fantasize about trusting my fragile body to it.

Years ago, in those terrible months after my Dad passed way, I found myself jailed for the night in New York City, sick from drugs and trying to sleep, lying with a hundred others on a bare, piss-smelling concrete floor. We were cheek to jowl in the famous “Tombs” of lower Manhattan, awaiting our place on a docket backed up 48 hours thanks to the Columbus Day holiday. I remember I was turned sideways, trying to sleep, when I felt the pressure of a cellmate’s back against mine- we were too packed in to quibble over intimacies, by circumstance obliged to touch one another. Into my agonized state there suddenly flowed the warmth of contact, a physical balm like mother’s caress, and, instead of recoiling from the proximity of another debauched and filthy like myself, I relaxed and felt sleep finally cover me after hours of tortuous waiting. Couldn't this mammal's option exist for us refugees in our far-flung airport hotel this sad and stranded Christmas Eve?

Free dinner at the Hotel Campanile, CDG Airport, Paris; man, buffets make me sad! Speaking of mammals, nowhere do we seem more basic and vulnerable than here before the trough, leaning in with our snouts to sniff out the possibilities. Why bother with these colored rags of clothes? We’re just beasts in the barn, shuffling our way towards the evening’s feed.

That being said, we eat pretty well. The French know food, among other things. The table attendants are dark black women with golden cornrows, speaking beautifully in the language of this country. In my American mind, I hear the cadences of Virginia when I imagine a black person speak so it’s still a surprise to me when, instead, there’s the falling pearls of French.

Exhausted from an early AM wake-up call and the turbulent travel day, we shut out the lights just shy of ten. I’m lying in the dark, thinking about the year.

It felt short, like every year, but in the middle of certain periods it seemed to drag and stretch and test the endurance. Winter was grey and endless and Spring came in wet and late. The month of August presented a string of livid, blazing afternoons from which the fall of night might never bring succor. The sweat never dried and there was no natural movement of air, only our weak electric fans which oscillated lamely against the wall of heat.

In the late spring and early summer I struggled to teach my English classes while generally abhorring but doing little to break a quotidian inertia in which I wrote and drew and played music little while permitting myself too much obsession time over US current events.

I found myself hanging absurdly on the hasty scribblings of political bloggers, each one, right wing and left, chewing over scraps in a zone of impotence, muddling the world with half-truths and hyperbole. In their eagerness to predict the worst they shit on any sense of possibility Obama’s election might have suggested. He made his mistakes too; watching this year's politics go down was like watching the Pack lose to the Vikings in the dome. A blanketing sense of sheer impotence mixed with overwrought emotionality.

We went to Puglia with the Speras in June, back to our little lamia just outdside Ostuni. The space was perfect for two couples. I was chewed on like a beast of the field by the ravenous southern mosquitos  which hover in their legions near the many cisterns. We played Bridge almost every evening but Mr. Spera and I couldn't get a good card, it seemed. The ladies destroyed us. L., Mr. Spera, Mary, and I would go the the pocket beach we discovered and cleaned up in '08; Peg doesn't prefer beaches. I could dive off the little rock in four meters of water and watch my blue shadow slither by on the white sand floor of the sea. We cooked sea bass on the outside grill and, during a quick break in the action, I carried my wine up to the roof of the lamia where there's a deck with a great view of the groves. The moon was bursting full and hummed like a motel sign. There was the famous Big Dipper, a truly distinct, unmistakable shape amongst the million blinking stars in the Heavens. You can see how it's made such good company over the centuries.

Lying here in bed, Hotel Campanile, CDG Airport, Paris, not sleeping very soundly 'cause I'd turned in way too early, I'm thinking about my mother, thinking too of all the departed along this road of life which lengthens as it contracts and on which we travel, increasingly burdened.

Remembrance of Jack Rose, guitarist, our friend from Richmond days, passed away in '09. When L. and I met, Jack was living with Laura and Barb in Richmond, in that big wooden house next to Eggleston's Restaurant. We were all rock n' rollers. I immediately saw that Jack was a special player, also quite the drinker though everyone was drinking a lot then, no one more so than me. In any case, we had some good times. Once Lawren said, by way of greeting, "Hey Jack….boffed any girls lately?" I loved the way she said 'boffed'. Jack, unfazed, replied 'sure'. L. and I moved down to Richmond winter of '94 and we saw a lot of Jack. I used to watch him play with Uglyhead in one of those near-condemned row-house basements on Leigh Street. We would drink National Bohemian beer in the red cans. Richmond is a beautiful city and those were my first days and nights there, hanging out in that scene.

Remembrance also of Pio Quinto, painter, passed away in '09 during the Summer. Fede had told me how Pio was suddenly diagnosed with a galloping cancer which had already laid him out in a hospital bed, a few weeks to live. I hadn't seen Pio for awhile and that was why. He was a flawed but passionate painter, a guy who always gave L. and me the time of day, even offered to show me his studio and hang out. If only my Italian had been better! Pio had a quick tongue and would break your balls; it was a little intimidating sparring with him in Italian and he didn't speak English.

Truth be told, I blew off swinging by his place a couple of times and now he's gone- I missed my chance. He is survived by his companion Laurella. They had a boy together, also called Pio. Pio's around eight I think. All the Parco Lombroso guys are in love with Laurella, she's really wry and sharp, quick to laugh but a skeptical soul. She came to my art show at ai Preti. Farewell, Pio.

After our restless night in the Hotel Campanile, we are offered free breakfast, buffet style, for our sorrows. I have a new xMas Carol- 'Saw a French breakfast buffet on Christmas Day in the morning.' Not a bad buffet, though no eggs, sadly. They're playing a jazz radio station on the speakers, not loud but present. I hear Giant Steps by John Coltrane. Every few moments, a recorded woman's voice stage-whispers, 'jazz!'.

I saw a French breakfast buffet on Christmas Day, on Christmas Day
I heard Giant Steps by John Coltrane on Christmas Day in the morning

Our passage from momentarily huddling arrestees on the forsaken stretches of international travel to well-washed and on-time passengers is seamless and cheerful. We're on our way, plus AirFrance gave us the exit seats as a way of apologizing for our delay so I'll be able to stretch my legs.

As the plane rises, I write "On Christmas Day, 2009…."

We arrive at Dulles around 4:00. Rich is there to meet us. I get L. and me a tall paper cup of coffee at the Starbucks just outside the arrivals area, as per tradition. Guess I'll always look for my Mom in that crowd of expectant faces. Rich is cheerful and all fired up about politics. We have a great talk on the ninety minute drive from the D.C. area to Goochland County. L. is really fond of my eldest brother. She wants to buck him up. I'm worried about him, like I'm worried about all of us. Gotta stop worrying so much. We'll be okay.

It's the Land of Christmas at the Spera's house. We arrive in a thick blue winter dusk and the warm lights calling from inside seem to sing at me like that "do you see what I see" carol, heard in a state of seasonal enchantment years ago in the back of Mom and Dad's old Pontiac station wagon.

This was my favorite time of the year as a kid because my brothers would be back from college. We were always running to Dallas-Fort Worth airport to pick someone up. The Ingham family had strong Christmas traditions- we made a pretty big deal out of the whole occasion. We would wait 'til Christmas Eve, when prices had been slashed, to purchase and put up the tree. Stockings always came first, opened on Mom and Dad's rumpled waking bed. All those pictures of Dad in his bathrobe, half sitting up and smoking as we tore open our stocking gifts! There was the Italian sugar cookie from the New York Times cookbook Mom always made, the cardamom rolls with their spiral shape, Fred Oscanion's eggnog and the Venetian turkey.

I can appreciate a good effort around the holidays so I find myself well situated in the home of Peg Spera, Queen of Christmas. There's so many delicious varieties of cookies, a carton of Food Lion eggnog in the 'fridge; Mr. Spera likes to indulge in a little caffeinated coffee when I'm around. At this point, the Spera Christmas is my own past. I can feel at home here, watching bowl games in my "soft pants" as L. calls them, digging Peg's decorations, the luxury of having a dryer.

Running through the woods one morning just after sunrise I see a bank of winter trees, stripped bare save for clusters of leaves still clinging past the Fall. They are the color of parchment and flutter in the passing breezes. The spreading dawn bleeds pearl pink onto the blue sheet of sky, producing an electric contrast with the parchment color of these last dead leaves. They explode into frantic motion, like startled birds.

We saw everybody; L.'s brothers and their families, a few of the Spera's friends, Aunt Jean and family, the Richmond crew, Colette, Jeff and Deb in Crozet. As for C'Ville, we only got as close as 5th Street extended where we were spooked out of a Taco Bell by a pair of wasted and somehow dangerous seeming rednecks who rolled in just after us. It occurred to L. that, here in America, people do actually get gunned down in public places from time to time, something almost inconceivable in dear old Verona.

It was a good holiday for football. I saw some good games. Saw Brett Favre, #4, three-time MVP and Super Bowl champion lead the Minnesota Vikings. For those of you who know, you'll know what an offense to nature this represents. Saw a lot of college football where our blustery, hungry American nature is so well displayed in the production, those giant truck commercials still, all that simple and self-encouraging patriotism.

We go to a big salad bar restaurant for my sister-in-law Miranda's birthday. Man, you eat badly on Broad Street! The dressings taste of rancid oil, the tomatoes make me think about petroleum as they were clearly brought in from a long way away, there isn't even any rucola. We have become spoiled by Italian produce and Italian ways of eating. Why would I pour some hideous, creamy sauce over my salad when there's golden oil from the groves of Puglia? And all these fat people – every fifth person you see walking about in the endless parking lots is just morbidly, impossible overweight! I mean, I've had a few pounds on me in the past but the profile you see these days in the States goes way farther.

Oy, I shouldn't be so critical but I can't help it! I love my country, I love Virginia; just that I'd rather stay in Europe. Does that make me an elitist of some kind? I like to be from outside the tribe, I like to have to fit in. I don't feel superior, or at least I constantly remind myself that I shouldn't and try to behave accordingly. In America, I really begin to miss the funkiness and loveliness of Europe pretty quickly, after a few days or so. But I love hanging out at the Speras. I love the woods.

xMas Shopping in Milano.

December 19th, 2009 by L A W R E N

art shows, Sept.-Nov. (Onirica).

December 1st, 2009 by Steve

Brother Rich came to Italy at the very beginning of September for two roiling, boiling weeks. Unprecedented heat this year. Memories of drawing with a towel over my head to catch the sweat drops. The school was closed all month and L. and I had a blast, just bumbling around the Vicolo, discussing our big conceptual art project for Tomaso Cinti's associazione culturale, hitting the gym, watching purloined TV, and petting Mary the Dog. Dreamy.

We spent a week in Rome with Richie-boy, seeing all the possible sights; we were sun-baked on the ancient ways of the Forum, moved along by sweaty crowds in the shaded sanctuary of the Pantheon, jostled on B.O. buses to the jangling, multi-lingual soundtrack of the tourist city. Stayed in a one week rental with windows on the air shaft, just off main drag, Trastevere. One piazza overflows and spills into the next, everyone with bladders full of booze and pissing in the streets. It's a real urban jungle, like Alphabet City back in the 80's. I loved Trastevere, though.

We walked Mary on the Janiculum Hill, with its jewel of hidden Bramante. Rich carried his massive new camera, phallic lens preceding him by nearly a foot. Have I ever sweat so much? Final night was the full moon. Rich and I got into a brother spat in the Medieval alley, reminded me of back when we were younger and wilder. The pizza guy had to come out of the restaurant and urge us to eat up, our pizzas were getting cold. L. got sympathetic looks for being stuck with these bozos. All in all, a great week.

Back in Verona, L. and I got to work on a sculpture for Tomaso Cinti's Associazione Culturale, FuoriScala. They were holding a week-long event, called Onirica, to raise awareness about recycling and sustainability and we were invited to provide some art. L. had the idea of creating a giant piece of crumpled paper out of cardboard.

We settled on the thin but tough cardboard used in pizza take-out boxes. Rich was mostly left to fend for himself while L. and I sweated over the massive project. Four hundred boxes, bisected and cut into triangles, each triangle attached to the other at the edges with strips of linen and rabbit-skin glue to create foldable elements, hours and hours of unrelenting labor, cutting and gluing in the steamy Vicolo. It was great, inspired fun. In the end we had a sheet of cardboard 3 meters wide by 4 meters long (roughly 10' x 13') which we folded up into the sculpture.

The show was fantastic. They had somehow secured a fine space, the galleries of the old Pallazzo della Ragione near Piazza dei Signori. We had four walls to scribble on and a great chunk of floor space. On Saturday night, the opening weekend, we sat out on the Renaissance steps of the Palazzo and drank beer 'til after midnight, watching as waves of people came and went.

There were Fede, Phoebe, Rebecca and Mick, Fabbiana and Luca from ArciKroen in Villafanca di Verona, assorted cats from ScalaColore, Stafan the mad conductor, Elena and Valentina, Matteo and all the dudes from FuoriScala, Gaelle and Geoffroy, Livinia and Federico and their kids, who scampered around and even under our sculpture, Heidi and Roberto, Audrey and Josh, Giampaola Bonente (my student) and her exquisitely dressed husband, Michele the writer….who else? In the end, hundreds of people saw what we did, so it's a good thing we were pleased with the results. A 100% recyclable sculpture which, at the end of the show, we were able to toss in the cardboard bin near Parco delle Poste.

Rich was an A+ guest. Must have taken a million pictures. We spent a good deal of time in the hot, heaving streets of Rome, waiting for him to frame the shot, but we wouldn't have had it any other way. I loved the fact that he wanted to lean into the language, wanted to participate somehow. I told him about Vespasian and "pecunia non olet" and he got great kicks out of the idea of Italian oldsters calling a public toilet "un vespasiano." Rich really gets Italy. Next we'll do the cathedrals of France. 

Art Shows Sep-Nov (ai Preti).

December 1st, 2009 by Steve

Most every week, I play guitars with my buddy Ugo and a rotating cast of cats at the osteria ai Preti. It's a pretty historic Verona joint on the University side of the river, traditionally a hangout for leftists and students and with the usual scattering of grizzled wine drunks nursing their bianchini as the thin fingers of late morning light creep in through the bar windows.

The manager is Claudio, a real madman. He's always busting my balls for being American but you can tell he digs me; we dig each other. Once I heard him sing "he's a poet, he's a picker" by Kris Kristofferson in heavily accented but nearly perfect English, banging away on an out-of-tune classical guitar. He says he loves the way I sing Fabrizio.

Claudio's always kidding me about Obama, how Obama's paying my way here in Italy. "Obama ti ha pagato la spesa, la bolletta della luce, le scarpe, la birra!" ("Obama paid for your groceries, the light bill, your shoes and your beer!) The list of things Obama pays for changes each time we see each other. Sometimes Ugo and I stay late with Claudio and Piero the bartender after all the ragazzi are gone and I feel like a cool and favored cat in this far-off reality.

So I've been giving Claudio my cards for a couple of years now and he's always telling me I should have an art show at the osteria. I've been resisting, not much interested in spending a ton of money and burning myself out, but I figured this year, since I've got some new stuff in the works, I could hook it up.

All October and into November I'm stressing out, trying to juggle teaching thirty lessons a week and drawing. There's a fair amount of wall space to fill. Of course I get myself into trouble with ambitious ideas that chew up more time than I'd imagined. There's a good few pre-dawn sessions which take me back to the C'Ville days when I used to do that all the time.

I'm going to show pages from my new comic about Mom, the two big pieces from Amore, Dove Sei?, some Tanguy Houseplants, the full-color paintings I did of Karl Rove, Alberto Gonzales, and Cheney, some new, more conceptual stuff as well. Should be a good spread.

Lawren and Phoebe will do the food, Ugo, Luca, and Luca's brother Umberto will join us for a bit of music. The opening is Monday, November 23. Lawren helps me a ton, in a hundred ways, with aesthetic suggestions, framing ideas, with the hanging itself. We get everything up on Sunday, all in good order.

Of course, I have to work all day Monday, totally ragged out after several days in a row of non-stop effort and strange hours. By the time I make the show, around nine PM, I am spent. There's actually a big crowd. Tomaso Cinti emailed everyone on his Onirica list and of course Phoebe, the Mayor of Verona, got her friends to turn out. My tiny fan base of osteria ragazzi are there too, so it's raucous and gratifying, more or less.

We hang until the wee hours and I finish off the night with a grappa, infuriating L. who throws the cell phone at me in the street and storms off. Can't say as I blame her. I've been pretty withdrawn and at loose ends lately. Productive sure, but it can't be easy for her living with me these days.

I'm just terminally sad, I guess. Everything I do I'm doing for my Mom, but I'm not sure I have the same gusto any more. Doesn't mean I can't be inspired, can't be effective as an artist. It's just that I'm always getting stopped in my tracks by this sadness, this wan sense of futility.

OK, my show was fun, but what do I get for it? And why am I striving in this seemingly futile effort to pay my bills by means of my talents? This was all Mom wanted for me and she never got to see it happen. She would probably have known what a let-down all this is, how I find myself showing art in a bar, selling little, complimented by everyone but still unknown and unsupported.

Thanks anyway, Claudio-you're a good man. Sadly, Obama didn't pay for the framing- I did. 

art shows, Sep-Nov (Amore, Dove Sei?).

November 20th, 2009 by Steve

Our friend from ScalaColore, Stefi Cossu, invited me to participate in a group show the beginning of October, called (for some reason I never quite got) "Amore, Dove Sei?" or "My Love, Where Are You?". 

I'd been doing some drawings from photos I took in Catullo Airport, shots of people coming and going in the Arrivals Terminal; wanted to use them as backgrounds for the comic I'm working on. The piece had to be big to fit the space, so I decided to blow these drawings up.

Again, I went with the lovely, firm cardboard of the pizza box. We always get pizza at this place near the English school; they know us well and were the source of the 400 pizza boxes we used in the Onirica show. I used the top and bottom of the boxes to cut out equal squares of roughly 40 cm.

Wanted to do a diptych so I divided two of my 8.5" by 11" sketches into 20 squares. The idea was to project the squares, one by one, onto the cardboard, tracing over the projected and enlarged line with brush and ink. When each square of cardboard was painted and lined up properly, you would end up with a piece about four feet by six.

Once I'd painted each square, forty in all, L. helped me glue them together with our linen strips and rabbit skin glue, creating two pieces of more or less six by four feet. I wrote the date Sunday October 26, 2008 on one of the pics., the day I got back to Verona after cleaning out Mom's house. No one'll know what it means, but I will.

The location for the show is the Verona Canoe Club. It's a funky indoor-outdoor space enclosed by old stone walls, with locker rooms for the club members, a covered picnic area, meters tall racks where the canoes and kayaks are stored, and a wide stone porch facing the river with steps leading down to the water. 

It's right where the ancient Roman Customs House used to be and I'm pretty sure some bits of it date back to those times. You get a great view of The Adige and the vibe is old and urban and pretty hip for Verona.

Lawren and I hang the show Sunday AM, October 4; the gig will run through the day and into the evening. L. really knows how to get it done, has great ideas for hanging and presentation.

We show up around nine PM. There's a decent crowd there and we have a good time. Fede comes by with Trifola the dog, also L.'s friend from the gym, Maria Francesca. I give out my usual stack of cards, chat with fellow artist Sante Starace who does the big painting at Osteria la Carega, bump into a smattering of Scala Colore folks. A good time, except they actually made me pay for beers, something that would never happen in the States.

 

 

flashback: il 3 luglio ad il 6 luglio,2008.

August 15th, 2009 by Steve

This blog has been a fitful proposition from the start, losing and gaining steam as my discipline levels fluctuate or circumstances intervene. L. has been good about posting visual stuff but my little updates, anecdotes, and observations, whatever their value, have entirely ceased since around June of ‘08.

Last I wrote, we were ramping up for this group show with our buddies at scalaColore. This was May, so a good while ago, and the whole universe has shifted since then. Read the rest of this entry »

flashback: lunedì, il 7 luglio, 2008.

August 15th, 2009 by Steve

Up crap of dawn, Catullo Airport to Charles DeGaulle, switch over for int’l flight to St. Paul, MN.

Weeping in the window seat, that pull at the guts as you lift into the air. I have a Neil Young song in my head- “I feel like goin’ back, back where there’s nowhere to stay….these rocks I’m climbin’ down have already left the ground, careening through space.”

Everything I see makes me think of all the things she’ll miss now. The stores, newsstands, coffee shops, all the cheerful airport displays; they cry out to her in her absence. She always enjoyed choosing some little thing on her travels, a cookie or a latte or a gift for someone. She was delighted by these small, independent decisions. Read the rest of this entry »

flashback: martedì, il 8 luglio, 2008.

August 15th, 2009 by Steve

Richard arrives. Jim and I are sitting in the ICU room with Mom when he walks in. He seems like a child, expression blank and unsure, stumbling a little. Back in the day, there would have been such drama in the room with Rich, especially at a moment as devastating as this. Now he’s just fine, calm and sensible, in shock like the rest of us but holding on. Mom would be proud to see how well he handled himself. Read the rest of this entry »

flashback: il 9 luglio ad il 13 luglio, 2008.

August 15th, 2009 by Steve

They move Mom to the Domitilla wing, into a private room where they can care for her as she dies. There is a couch to which Jim lays claim, Ted takes the lounge chair at the bedside, Rich roams the halls with his lap-top, calling banks and credit card companies and mortuaries. I begin what will be a four day migration from the extra chair to the family lounge computer to the hot, squared-off streets of Rochester where I smoke cigarettes like I never quit, years ago. Read the rest of this entry »