We visit Santa Maria in Organo for the first time. It’s a humble but lovely church on ancient Roman grounds where they are giving a Mozart concert on the grand, gilt-covered organ. We go with Roberta, her friend Louisa who informed us of this event, and Michael. At the concert’s end, we are treated to some incredible art. There are dozens of wood-inlay panels [L. note: they are called tarsie] behind the altar and in the sacristy, created by a Renaissance friar. It’s one of the coolest things we’ve seen in Italy so far. This friar was a genius! The panels are imagistic, with themes ranging from the natural to the historical and with lots of perspective studies and geometric still-lives. He’s never heavily religious in his themes, for example there’s only one crucifixion scene while there’s a dozen or more animal studies. His aesthetic aims seem to have revolved around the idea of seeking enlightenment through knowledge of the empirical world, a refreshing break from the usual heavy-handed superstitious wallow one encounters in so many Italian chiese.
We strike up a chat with an older fellow who is going kooky over the sacristy panels. His name is Giorgio. We decide to grab a prosecco. Giorgio was in a horrible accident in which his bicycle collided with a speeding car, nearly killing him. He was in a coma for 16 days. As we get up to leave, he insists on paying but he can’t find his cash. I think he’s a touch addled, poor guy. The owner of the bar, a great looking, dark-eyed fellow with a craggy mug like a Hollywood gangster but with a body slim as a boy, would rather take an IOU than deal with a credit card, even though they have the machine to do the transaction. He doesn’t want to pay the service charge. He tells Giorgio, in Italian, “I’m a Neapolitan – we have big hearts.”